Cover of The Festival of Spring, from the Díván of Jeláleddín

The Festival of Spring, from the Díván of Jeláleddín

by Rumi (rendered by William Hastie) · 1903

Poetry · Classics

William Hastie's English versions of the ghazals of Jalal al-Din Rumi, made from Friedrich Rückert's German renderings. The book also has an introduction on the poet and a critical essay on the Rubáiyát of Omar Khayyám.

6 chapters

A look inside

Jeláleddín Rúmí (A.D. 1207-1273) is now universally recognised by 'those who know,' as the greatest of the Persian Mystical Poets. This supremacy, in his own sphere, has been unanimously accorded to him for more than six centuries, by unnumbered myriads of his own disciples and followers in the Oriental World, who have been wrapt in devoutest admiration of the great Master to whom they have owed the highest joy and inspiration of their spiritual life. And at last, in our own Western World, the great Persian scholars of Europe, looking at him without personal or national bias, and through the clear, cold light of the new time, have come more and more, as with one voice, to join in this chorus of praise. His most appreciative recent editor and interpreter in England, in presenting a few leaves plucked with reverent hand from what he calls Jeláleddín's 'wreath of imperishable Lyric Song,' offers his own careful and conscientious work to us, as a contribution 'to a better appreciation of the greatest mystical poet of any age.' And with this designation, as summing up the judgment of a capable expert and critic—strange as it may sound—we venture, in all deference and sincerity, to agree.

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